FolkEast 2018

 

Wow, this year really has flown by!  I’ve just got back from a lovely long weekend at FolkEast where I ran mask decorating workshops for the second year in a row. Big thanks to everyone who stopped by the stall in the Art Arcade to take part, try masks on, or have a chat.  We met so many friendly people and makers – FolkEast really is something special!

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A very nice gent showing off his new Green Man mask

Here are some of the masks and skulls, painted by participants of all ages across the weekend. And once again I’m blown away by how awesome and different everyone’s ideas have been. Aren’t they great?

And here are a few of the masks that I was working on between sessions:

This past year I’ve mostly been posting things as I make them over on Instagram, but haven’t posted any blog-worthy projects on here for a while.  That should change soon though, as I’ve just got a brand new workspace that I’m very excited about.  I’ll get that set up, and then hopefully I’ll get stuck in to some of the many ideas I’ve been hoarding over the past few months!

A New Mask at Last

After Christmas I carried on with the cold porcelain, and I really think it has potential. You can add fresh porcelain directly on to a piece that’s already dried for a start. Here’s the Krampus face from the last post with a few more details. Now I just have to figure out how to paint him:

Cold Porcelain Krampus

I also used it to make part of this wand for a Harry Potter event.  I found a straight (ish) twig in the garden, dried and trimmed it.  I added details with cold porcelain, a glue gun and a marble, then painted it all black.  I then re-painted it to look like wood again and added some gold paint details.  Quite fun, give it a go!

Harry Potter Wand

… and some other little bits and bobs still in progress. I’ll be combining it with mask making next. Watch this space.

I finally found time (and a clear work surface) to make another mask sculpt this spring- my second since returning from Florence.

clay mask sculpt Clay Mask Sculpt

 

I had a few different ideas about what I wanted it to look like. I’d like to make a mask with rabbit ears soon, but for this face I felt the horns were better suited.

Mask design ideas

And here it is so far: cast, papier mache’d, popped out of the mold and trimmed.  Next stage is painting and finishing, along with another two devil masks and a lil Cthulhu who are all at the same stage.

Horned Mask

Cats, Devils and Cthulhu

Back to papier mache masks.  I’d started to get a little fed up with plasticine as a sculpting material.  It was difficult to work with and took forever to create the details that I wanted so I ordered some clay and a couple of airtight containers, and a couple of weekends ago finally found the time to try it out.

What a difference!  I can’t imagine how I put up with the plasticine now.  Using clay has reminded me how much I used to love working with it at school many many moons ago.  It’s so much more agreeable and much easier to smooth.  I began by making a cat and devil sculpt:

Cat Mask Clay Sculpt Devil Mask Clay Sculpt

As you can see, the cat mask was sculpted over the same clay face I used previously.  For the devil mask, I pushed the clay into a modroc cast I’d made of that same face:

Pushing clay into the face cast

This essentially replicated the underlying clay face, but in damp, workable clay.  I added details and chopped off the lower part of the face, and all this resulted in a much closer fit than the cat mask.

Devil Mask Cat Mask

The cat and devil mask popped out of the molds.  They need trimming around the eyes and edges, but otherwise it seemed to work brilliantly!  The cat mask is based on the traditional cat masks found in Venice.  I liked the simple form of them, so didn’t change too much when I made my own.

Sketching Cthulhu

And finally, I wanted to try something a little more complex, and Cthulhu seemed like the perfect subject (when is he not?).  I pondered over how to do the tentacles for some time.  The sketch on the far right would no doubt be easiest: a stylised straight tentacle look.  But who wants to go for the easiest option?  I studied some photos of classical statues with curly beards, then went for it:

Cthulhu Clay Sculpt Cthulhu Mask

The clay Cthulhu sculpt, and the resulting mask as it was this morning; a layer of glue drying so slowly that I had to hold it for the photo otherwise it’d stick itself to my favourite Generic Background paper, and we can’t have that.

In case you can’t tell, I also discovered Instagram.  I’m using it to document my mask making trials and errors as I always have my phone nearby while I work and it’s easy enough to snap a work in progress.  My camera lives upstairs in a drawer, and sometimes you have to be quick before something dries/runs/sets in the wrong place.  See what I’m up to on Instagram.

Leather Maskmaking

With Halloween on the way, I wanted to make a mask for a costume and thought it would be a good excuse to try leather maskmaking.  I’d used leather before in bookbinding and enjoyed working with the material, so it only seemed natural to have a go at using it for masks as well. 

The Leather Arrives

 

There was slightly more leather included in the delivery than I expected, but that just means I’ll have more to experiment with…

trimsoak

Leather mask making seems fairly simple.  Soak the leather.  Form the leather.  Dry the leather.  Paint the leather.  I’m sure it gets more complicated when you want to engrave or singe designs into the surface, but for the moment it’s easy enough to make a form.

Leather Stag Mask

My first leather mask was an antlered half face mask with a rather large nose.  I’d been watching the new Hannibal TV show, so Will Graham’s nightmare stag may well have crept into my subconcious only to be released in mask form, but it took a friend to point out the link!

Black Leather Stag Mask

The painted leather stag mask.

I had an odd-shaped piece of leather left over from where I’d cut out the stag, so I turned it into a smaller horned mask:

Leather Horned Mask

I actually like the form of this one more than the stag.  For a start it’s less likely to poke people’s eyes out when they stand near you.

You’d think I’d start making the mask for the costume after that, but no: further distration ensued.  I’d been wanting to make a Bioshock Splicer mask for a while, but thought the ears would be too delicate for a papier mache.  Would it work in leather instead?

Leather Splicer Mask  Leather Splicer Mask

Yes, yes it does.

I should point out the kitchen roll in the second photo is actually supporting the cheeks while they dry in position.  Glamorous, I know, but I ran out of ramekins.

Conclusion: leather maskmaking is FUN, and will be happening again shortly.

Masks and Moldmaking

After making a few masks by applying the papier mache directly onto the sculpt (see previous post) I decided I wanted a way to produce multiple copies of the same design.  This’d make it less labour-intensive, quicker, and would save me worrying about ruining hours of work on a mask by getting the decoration wrong.  So, back to the research.  In Venice, they seemed to create a clay sculpt of their design, then cast it in plaster to create a mold for the papier mache.

Plaster of Paris seems to set in most circumstances (even underwater) so I skipped the clingfilm and poured it straight over a new plasticine sculpt.  My suspicions proved correct, and it set with no problems.  I can only assume it was the glue component of the papier mache that didn’t like the plasticine in my last post.

Plasticine mask moldmaking   Plasticine mask moldmaking

The plasticine then peeled out of the mold easily, leaving a smooth surface for the mache.

Plasticine moldmaking mask

And there we go!  A replicable design.  The loose bits of mache need sticking down, the edge trimming, and a smooth layer added on top, but it still takes a fraction of the time the other method did.  Still- I’ll use the method from the last post if I want to make a one-off mask, or a more complex design.  The more complex the surfaces, the harder it’ll be to get it out of the mold.

Plasticine mask moldmaking

Red and Gold Mask

Here I experimented with a method for raised gold detailing using replica gold leaf.  Think I need some practice.  I also tried adding a wash of dark paint and then removing most of it to give an aged appearance and visually deepen the recesses.  Again, not satisfactory and will need a good bit of experimentation before I try it on a mask I like!

Gold Detailing Mask   Gold Detailing Mask

Here I used the same technique to create the raised lines, but instead of using gold leaf, I picked them out with gold acrylic paint above by just covering the whole area in gold paint, and below by trying to stick to the raised areas, and distressing the rest with another wash of dark paint.  I think it makes it look like it’s just been dug up, rather than carefully stored and aged for half a century, but there we go.

V Mask

All of this was to try and make a mask for a friend, and here’s what I produced by the end of that period of experimenting.  My first finished mask: gold leaf raised detailing on blue and gold.

Let the Maskmaking Begin…

I’ve always loved masks: from recurring obsessions with Phantom of the Opera and Labyrinth, to finding every project for my anthropology degree tended towards masquerade and transformation.  I’ve also had a good few attempts at making them throughout my life, but it’s been a while since I attempted it with any real focus on refining technique.  My early masks were thick, unweildy, lumpy papier-mache creations, better suited for hanging on the wall than wearing.

Earlier this year I went on a short holiday to Venice with friends.  As a mask obsessive, it’s somewhere I’ve always wanted to visit, and I was not disappointed!  I’m afraid I dragged my friends into every second mask shop that we saw (and there’s certainly no lack of them), turning the masks over and trying to work out how they were made, as well as admiring the amazingly skilled decoration.  Needless to say, I came back inspired and fired with determination to give mask making another shot.  I researched, bought a couple of books, and experimented for a few months.

For my first attempt I used a method suggested by Jonni Good in her book ‘How to Make Masks’, which is well worth buying if you’re interested in starting to make masks.  It uses easily obtainable materials, and results in a lightweight, smooth mask.  Jonni also runs an excellent website over at Ultimate Paper Mache filled with great tips, videos and examples of her work which helped no end.

For my very first attempt I used an old clay model of my face (I’m sure everyone has one of these lying around) and created a sculpt from plasticine on top.  I then built the papier mache directly onto the finished model:

Plasticine Mask Sculpt    Plasticine Mask Mache

Plasticine is horrible to work with, I’ll say that straight away.  Smelly, stubborn, and leaves a nasty residue on your hands.  I also discovered that it reacts badly with the plaster/glue papier mache mix and retards the drying process.  After half a week it was still gloopy, so I abandoned this mask and started afresh.

Plasticine Devil Sculpt Plasticine Devil Mache

I decided to go for a full face mask, again using plasticine on top of the clay model.  This time I covered the model in clingfilm (using vaseline to get it to adhere to the model and follow all the recesses and details), and then added the mache.  This worked an awful lot better, and the mask was almost dry in an hour.

Plasticine Devil Mask

Here’s the devil mask trimmed and after a bit of sanding.  It fits my face so well it hardly needs a cord to stay on!  There’s still a bit of smoothing to do before I paint him.  The disadvantage of this method is that once the mache is dry, you’re pretty much guaranteed to destroy the original sculpt as you pull it out of the back of the mask.  That makes this chap a one-off, so I’m a little nervous about painting him in case it goes wrong.  I decided to make a few more masks to experiment on before painting this one, and to do that I wanted a method that would let me create multiples of a particular design…